“We call it our good luck flat – since we moved in, it seems everything has been possible,” says designer Mary Katrantzou, when asked to describe living in London. The Greek-born Central Saint Martins graduate, who started in fashion only four years ago, continues to develop her signature: hyper-realist prints—of perfume bottles, blown glass, 18th Century portraiture, interiors and most recently, objects d’art—coupled with experimental silhouettes. Meanwhile, fashion’s elite continues to crave her maximalist aesthetic – the counterpoint to Celine’s “Phoebe Philo effect” that captured the fashion scene two seasons ago.







