Women's

Women's

NM @ Haute Couture Fashion Week

Colby Jordan of the blog Minnie Muse with Jean Paul Gaultier in Paris.

Colby Jordan, of the blog Minnie Muse, with Jean Paul Gaultier in Paris.

The trek through the Tuileries to my first couture show – Dior, to be exact – felt more like a challenge on an episode of fashion week survivor than an effortless stroll. Dior provided a slew of French male-models to escort guests through the icy, frozen path, to a tent filled with fresh greenery, transporting you to another land. As the show began, models emerged through the bushes from beneath the runway—like flowers sprouting from the ground. The colorful looks in hues of yellow, pink and orange shined as bright as the girls’ crystal-encrusted lips. Backstage amongst the hair extension-filled floor stood designer Raf Simons, unassuming and accessible, post-show.

Dior

Christian Dior

Dior

Christian Dior

Later Monday evening, Giambattista Valli chose a more intimate setting – the Italian embassy – to hold his third couture collection. Valli showed a more romantic interpretation of nature than Dior, through animal prints, flower appliqués, delicate ruffles and nature-inspired jewelry. The majestic show concluded with an unforeseen ending; before the models took their final walk, a beautifully dressed older woman assumed the show had concluded and began walking down the runway to the exit. Unfortunately the room of shocked, seated onlookers was no indication as she continued to shuffle down the runway until the line of models caught up.

Giambattista Valli

Giambattista Valli

Giambattista Valli

Giambattista Valli

Tuesday morning marked Karl’s thirtieth year designing Chanel couture. This season Mr.Lagerfeld, like his fellow couturiers, turned to nature as inspiration. Chanel constructed a forest within the Grand Palais – complete with over three hundred large trees and foliage, rocks and sand, as well as a wooden walkway and animal noises coming from the bushes. Models wandered across the circular sand runway as if they were lost in a fairy-tale land, while their ornate headpieces and feathers for eyelashes gave the illusion they were part human and part mythical creature. The collection as a whole felt like a ‘best of’ Chanel couture. Each look was more ornate yet more delicate than the last. The sequin-encrusted flower series was my favorite and as for Karl’s controversial double-bride finale, two Chanel couture wedding dresses are always better than one!

Chanel

Chanel

Chanel

Chanel

Giorgio Armani showed his Prive collection Tuesday evening followed by the opening of his newest boutique on Avenue Montaigne in Paris. The show was an ethnic mix of patterns and colors while still staying true to the sculpted Armani aesthetic. Models walked the geometric runway accessorized to perfection – pictures cannot do the headpieces and jewelry justice. After Mr. Armani timidly emerged from the back to take his bow it was exiting to find him backstage awaiting clients and press in front of a slew of photographers to pose for photos

Armani Prive

Armani Prive

Armani Prive

Armani Prive

The first show on Wednesday, the final day of couture, was Jean Paul Gaultier. With a crowed gathered outside his atelier and a celebrity-filled audience, his shows are always high-energy. I was seated directly across the runway from Catherine Deneuve who was surrounded by fellow French movie stars. As Gaultier’s entire atelier took their place on the second level, overlooking the runway, the show began. The collection, like Armani, was filled with ethnic influences. Models stomped down the runway with their hair in long braids and painted feet. Gaultier’s use of color was an inspirational as the hours of work that went in to making each garment. The most exciting moment of the show came at the end as his bride emerged from behind the runway backdrop. Her dress was easily ten feet in diameter and as four beautiful young girls came running out from underneath, the audience erupted in applause. Gaultier suddenly appeared in his traditional sprint down the runway and escorted his bride down the stairs.

Jean Paul Gaultier

Jean Paul Gaultier

Jean Paul Gaultier

Jean Paul Gaultier

Spring/summer 2013 proved to be the season for Valentino. Designers Pierpaolo Piccioli and Maria Grazia Chiuri sent their ninth couture collection as creative directors of Valentino down the runway on Wednesday evening. The duo found inspiration in the ongoing theme of the week, gardens. The flower dresses became increasingly ornate as the show progressed, and up close you could see tiny butterflies sewn in under layers of organza. It was hard to hold back enthusiasm as the entire room broke out clapping for multiple looks. As the show concluded, Pierpaolo and Maria walked the runway and both received hugs from Mr.Valentino himself, instant gratification that it was a job very well done!

Valentino

Valentino

Valentino

Valentino

The final runway collection of the couture season was Maison Martin Margiela who offered, as expected, a far more avant-garde interpretation of couture than any of its fellow houses. The show was an entirely different experience; even with the front row presence of Kanye West, there was no shouting, no blinding camera flashes and very little press. Like last season, the house’s first couture week runway show, models were kept anonymous – much like the label’s founder – by way of ornate masks. Despite Margiela’s more radical couture collection, nature was still present in the printed fabrics, feathers and beaded flowers.

Maison Martin Margiela
Maison Martin Margiela 
Maison Martin Margiela

Maison Martin Margiela

While each show had commonalities the differences are what set the design houses apart. Couture is far from a dying art as every designer proved this week. The success of the spring/summer 2013 couture season has the fashion world eagerly awaiting the start of the fall/winter 2013 ready-to-wear season in just two weeks!

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Women's

Conversation With: Wes Gordon

Wed Gordon and models in his Spring 2013 collection.

Wed Gordon and models in his Spring 2013 collection.

Emerging design talent Wes Gordon possesses charm and skill beyond his years. This year alone was marked with more than one mega design milestone. After receiving Fashion Group International’s Rising Star Award for womenswear, Gordon garnered the coveted accolade of being a finalist in the CFDA/Vogue Fashion Fund.  After completing several months worth of challenges in conjunction with the annual competition that helps young American designers build their businesses, Gordon, still wide-eyed and energized, took his very first trip to Dallas to visit with the NM team at the historic flagship store.

A close-up view of a delicate lace bell-sleeve on Spring 2013 piece.

A delicate lace elongated sleeve.

Wes Gordon: I am visiting ten Neiman Marcus stores this season. It’s so fun to go to the different cities and meet the people and go out to see the sights.

NMdaily: You are not only handsome but are very personable, so I am sure women across the country are thrilled to meet the man behind your elegant work.

WG: And I like to see who is behind the clothes! It’s very fun for a designer to put a face to an abstract idea.

NMdaily: You’re only 26-years-old and you have already had all of this success… and now your CFDA/Vogue Fashion Fund nomination. How does this feel?

WG: Well I still have a long way to go. The past couple of years have felt like 30.

Wes Gordon, Spring 2013.

Wes Gordon, Spring 2013.

NMdaily: How has the whole process been?

WG: It’s a lot of work, but it’s been such a good learning opportunity. The Fashion Fund competition is just tremendous. It’s such an honor to be included with such a phenomenal group of designers.

NMdaily: You launched your first collection in February 2010 and your designs are already splashed all over the pages of Vogue and hanging in Neiman Marcus.

WG: I can’t believe Spring is our sixth collection! Since I decided to start off as a new brand everything was a first. I think it takes you a couple of seasons to find your voice.

NMdaily: You are from Atlanta and then you went to school in London. Did you always know that you wanted your brand based in New York?

WG: I think that’s why I wanted to go to school in London. Well, I knew I wanted to go to St. Martins, and I knew I always wanted to live in New York, but I thought I would rather to go to school someplace else. There are worst places to school than in London!

Wes Gordon and NM fashion director Ken Downing chat at a NM cocktail party in Dallas.

Gordon and NM fashion director Ken Downing chat at a NM cocktail party in Dallas.

NMdaily: You take pride in making all of your clothing in New York’s garment district. Why is this important to you?

WG: It’s great for quality control. We are able to duck in and see how its going at any given time. The hand-stitching, the beautiful linings and the details are everything, so we constantly need to monitor that process. New York’s garment district has such a history. It’s also the factories with these incredibly talented people.

NMdaily: Do you do anything else for fun or are you just work, work, work?

WG: I just got a puppy, her name is Bird. She is a ridiculously cute black and white cockapoo. That has been taking over my life at the moment. I got her the day of my show in September.

NMdaily: As a congratulatory gift?

WG: To myself! I actually found her before she was born. My show happened to be the day she was ready to be picked up and I couldn’t get her the morning of.

NMdaily: Does she get to come into the office?

WG: Yes! We have her, a small but hard-working staff and some pretty amazing interns.

NMdaily: And you had some pretty awesome internships yourself…

WG: I interned with Oscar de la Renta and Tom Ford. Oscar actually came to my first presentation.

NMdaily: Would you say that that experience largely shaped your career?

WG: They are both masters at what they do. I definitely learned a lot from them, and if I am some day just a fraction as successful as them, I will be very happy.

NMdaily: What is the most rewarding aspect of your career?

WG: Wow, what an amazing job to have! I get to think of things and realize them and make them. I get to have an idea for a dress or a sweater and watch it come to life. It’s incredible. The best part is the idea of strangers going into stores and falling in love with the pieces I designed.

Wes Gordon, Fall 2012.

Wes Gordon, Spring 2013.

NMdaily: Was this always your dream?

WG: I always knew. It started with obsessing over fashion books. I would buy the old Valentino books and I just fell in love with it—the idea of it, the spirit, the elegance, the drama. I am so glad I found out at a young age what I wanted to do because that makes chasing this dream a lot easier.  I want to be building this company until the day I die.

NMdaily: Well we are excited to follow you forever.

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Women's // Lifestyle

Seeing Things: Beverly Hills Holiday 2012 Windows

Every holiday season shoppers feast their eyes on more than beautiful gift items at Neiman Marcus stores, they come to see the attraction that is our windows. All unique across the nation, NM window displays are created by artisans that make up our in-store visual team. This year our Beverly Hills store, located on buzzing-with-energy Wilshire Boulevard, was a spectacle inspired by dramatic theater, digital and film productions.

“We took inspiration from the Cirque du Solis production of IRIS at the Kodak Theater, where vintage theater production meets high tech digital imagery,” visual director Martin Packs says of the 2012 concept that his team began working on in July. “When Neiman Marcus announced the theme of  “Oohs & Aahs” we all thought of things that give us those reactions. Mostly they were things we have seen that make us wonder—fireworks, nature, travel and speed.”

Visual Director: Martin Pack

Visual Assistant: Jamie Suh

Fashion Stylists: Mathew Carlin, Hector Martinez

Installation Experts: Jamie Bravo, John Kelly, John Johnson, Carol Choi

Fashion Production: Christian Sartregusi

 

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Women's

Conversation With: Holiday Dressing With Alice + Olivia Designer Stacey Bendet

Holiday Dressing with Alice + Olivia Designer Stacy Bendet

Alice + Olivia Fall 2012.

Tis the season to polish silver and coordinate china patterns, and puzzle over what to wear to an array of holiday gatherings on the social calendar. The age-old debate (what to wear?) intensifies under a lack of time. Who better to take the guess work out of holiday dressing than consummate host and party-girl herself, Alice + Olivia designer Stacey Bendet?

NM: What’s the best way to update a LBD? 

SB: A great chunky, fun, colorful necklace always does the trick!

NM: How to take sequins from day to night? 

SB: Well, sometimes they have to be taken from night to day! Hello morning after!  But day to night: a sweater over sequins during the day, sequins on sequins at night!

NM: When is it appropriate to wear a gown? 

SB: Um, always!

NM: What evening look do you currently love?

SB: I am loving really fitted dresses like our peplum and our all-over lace.  Shapes that really accentuate a woman’s curves.

Holiday Dressing with Alice + Olivia Designer Stacy Bendet

Alice + Olivia Peplum Dress.

NM: What is the biggest misconception about eveningwear? 

SB: That is has to be worn in the evening! I love wearing dresses during the day. Throw a sweater over a long dress, so chic.

NM: Who always gets party dressing right?

SB: Neiman Marcus!


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Women's // Beauty

Backstage Beauty: Laura Mercier at Marchesa

Georgina Chapman and Keren Craig enlisted Laura Mercier‘s team to create the beauty look for Marchesa‘s India-inspired Spring/Summer 2013 show.

FACE

Prep skin with Repair Oil-free Day Lotion SPF 15 and Hydrating Primer. Mix Moisture Supreme Foundation with Illuminating Tinted Moisturizer and apply the base. Conceal any problem areas with Secret Camoflouge.

EYES

Black Ebony Tightline Cake Eye Liner and Tightline Activator

Apply Wheat Eye Basics to the eyelid. Contour the crease with Dune Bronze Pressed Powder. Using the Black Ebony Tighline Cake Eyeliner and Tightline Activator, draw a clean, straight line across the lower lash line.

The gold leaf in the inside corner of the eye.

Apply Black Long Lash Mascara to the top and bottom lashes. Finish with specs of gold leaf in the corner of the eye.

Laura Mercier at Marchesa Spring/Summer 2013

CHEEKS

Laura Mercier at Marchesa Spring/Summer 2013

Contour the cheekbones and forehead with Dune Bronze Pressed Powder.

LIPS

Laura Mercier at Marchesa Spring/Summer 2013

Use Mocha Tint Hydrant SPF 15 to create the natural lip.

Categories: Beauty, Women's » Formal & Bridal, Beauty » Makeup, Beauty » Skin, Beauty » Styles & Color, Women's | Tagged , , , ,

Women's // Lifestyle

A Visual History of The Art of Fashion

When the world’s top photographers intersect with high fashion (and the occasional celebrity model), the Art of Fashion happens. Richard Avedon was tapped to create the first Art of Fashion campaign in 1994. This slideshow describes some of what followed. You can find the complete timeline and an NM creative director’s first-person account of working with the great Lillian Bassman in the September issue of The Book.

Categories: Lifestyle » Art, Lifestyle » Books & Media, Women's » Designer, Women's » Formal & Bridal, Women's | Tagged , ,

Women's

Zac Posen Heats Up Atlanta

Atlanta’s best dressed are still talking about Zac Posen‘s unforgettable Fall 2012 runway show at Neiman Marcus, which supported the National Black Arts Festival. To showcase the fresh-off-the-runway glamorous regalia, NM’s event team pulled out all the stops – including a 360 degree runway that circled the Peachtree store’s top floor. Posen, suited up in red velvet and his charming grin, brought the spectacle of his New York Fashion Week show down south, sending origami-folded ballgowns, obi-sashed pant suits, sharply cut jacquard dresses, and his latest muse Anna Cleveland, down the circular catwalk. Cleveland, the daughter of ’70s supermodel Pat Cleveland, added even more excitement to Posen’s designs with her theatrical strut. The show concluded with a standing ovation, hoots, hollers and a champagne toast!

Zac Posen and Ken Downing at a show rehearsal with model Anna Cleveland in Atlanta.

Zac Posen, Anna Cleveland and Ken Downing at the runway rehearsal.

Shop Zac Posen at NeimanMarcus.com and select Neiman Marcus stores.

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Women's

Runway Rewind: Oscar, Vera, Ralph, Calvin

The Fall/Winter 2012 collections hit the runway for only a few minutes, but you can catch the action all season long on the Neiman Marcus YouTube Channel.

Oscar de la Renta

Models embellished in jewels and crystals, embroidered in lace and tweed, and fluffed in feathers and tulle paraded down Oscar de la Renta‘s ultra-feminine Fall 2012 runway. Oscar’s statement accessory for Spring was the earring; for Fall it’s the headband.

Vera Wang

The Vera Wang Fall show started out soft. Buff and beige led to pops of bright orange, which then preceded into black and gray. The queen of bridal walked artful kaleidoscope patterned dresses, screen-printed sheer separates, and charcoal wool capes down her ready-to-wear runway.

Ralph Lauren

Ralph Lauren revisited the grandiose life of the English countryside for his Fall collection, even using the Downton Abbey theme song. Rich fabrics (tweed, houndstooth, golds, plaids), traditional tailoring (three piece suits,  jodhpur pants, smoking jackets) and lavish accessories (crocodile bags, top hats, exotic plumes) appeared old and new.

Calvin Klein

Francisco Costa’s Fall collection for Calvin Klein catered to the clean-cut minimalist woman. Models donning blunt black bobs and slick ponytails darted down the runway in full leather skirts, cinched waists, and collarless wool jackets.

Categories: Women's » Accessories, Women's » Designer, Women's » Formal & Bridal, Women's » Handbags, Women's » Jewelry, Women's » Shoes, Women's | Tagged , , , ,

Women's

Kareen’s New York Fashion Week Diary – Friday

Kareen Mallet, senior ready-to-wear director of Neiman Marcus, will share her perspective on each day of New York Fashion Week.

Kareen Mallet

Kareen Mallet

5:15 am: Good morning and Happy New York Fashion Week. It actually started yesterday with a few shows. The highlight: Ken Downing and I got a private preview of the new contemporary collection Skaist-Taylor (remember Juicy Couture founders Gela and Pamela? They are back!) It’s all about the eccentric Californian. And they are the perfect muses for those buzz words.  I loved it, and I’ll tell you more on Sunday after their show.

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Women's // Lifestyle

Project Runway All Stars – Week 2 Recap

This recap contains spoilers! Stop reading if you don’t want to know who won or lost. In episode 2, Project Runway All Stars does an about-face from last week’s 99-cent challenge, and requires the designers to create gowns for “a night at the opera.” So it’s off to Mood, where Michael accuses April of copying his choice of red fabric before he stomps off and switches to black. Back in the workroom, April dunks her red fabric in a bucket of black dye. It’s worrisome, yes, but apparently not as worrisome as Kara’s lack of confidence. Everyone snags glittery clutches and stilettos from the Neiman Marcus Accessory Wall before hitting the runway. Rounding out the judges panel this week are Badgley Mischka‘s Mark Badgley and James Mischka, who know from evening gowns. April’s red/black ombré dress does end up in the bottom two, but it’s Sweet P’s folksy floral that gets the axe. Michael’s high-necked, low-backed, feathered, jeweled, draped jersey showstopper vies for the top spot with Austin’s “modest” black and gold lamé number, which is more appropriate for the opera, and thus, victorious.

For more fun with Project Runway All Stars, visit NeimanMarcus.com/projectrunwayallstars and Shop. Vote. Win!

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